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Monday, January 31, 2022

The Amazigh Fortified Granaries (English version)

FOREWORD - The research I have conducted on the Chawi Berbers of the Aurès, as well as on the Amazigh areas of North Africa, has naturally prompted my interest in the Fortified Granaries. These are forms of construction, which are a specific trait of the Imazighen (pl. form of 'Amazigh'). 
Most of my research papers, either in French or in English, have been posted on Academia.edu or on Inumiden.com. As a matter of fact, one of the first documents I published, appeared in AWAL-Cahiers d'Études Berbères founded by Mouloud Mammeri and Tassaout Yacine. The original article dealt with the Granaries of the Aures mountains in Algeria ("La guelâa aurassienne"). 
Recently, Academia prompted me to write a short  'Letter' and I chose the topic of the preservation of the Fortified Granaries, which are unfortunately in danger of disappearing.

The Amazigh Fortified Granaries One common feature that characterizes the Amazigh (Berber) civilization of North Africa is their overall sense of community life. Food and water are of course an important social consciousness, particularly in the mountains or in the desert. In the Djurdjura Mountains of Algeria, the Kabyles keep huge clay jars [‘ikufan’] for this purpose, a bit like the Minoans did in Crete [‘pithoi’, πίθοι]. In the Sahara Gourara region, the Zenetes invented an intricate irrigation system to distribute the phreatic water supply to turn the desert green. Mouloud Mammeri, the Algerian writer and sociologist, fought to preserve this legacy, which was finally declared a UNESCO World Heritage. Today’s paper is dedicated to the fortified granaries, an architectural Amazigh conception, that is both a social form of community food as well as a defensive hub in case of need. What makes these granaries original is that they can only be found according to a transversal line that goes from Agadir in the West to Fezzan in the East, roughly following the Saharian side of the Atlas Chain. Their features as well as their names differ according to the area they have been built. The Moroccan seaside town of Agadir has been named because, in the Sous region, the granaries are called ‘agadir’ [a wall, in the Cheuh language]. In the Aures Mountains of Algeria, they are called ‘gelâa’ (Arabic) or ‘taq’liath’ (Chawi Berber). In the mountains of southern Tunisia, they are known as ‘ghorfa’ [غرفة, a room]. But when they form a complete construction having several levels, the monument is called a 'gasr'. There are more granaries in the Jebel Nefussa in Tripolitania (Libya) but unfortunately, we know little about these apart that they are very similar to the other existing Berber granaries. The granaries share an identical concept. They are an assemblage of cells, each belonging to a family, all forming a massive construction. In order to protect their content, there is usually an open space on the indoor side of the building; the outside may look like a plain wall in order to be used as eventual protection. Depending on where they are, and also how many families have their own cell, they can have several floors. The upper levels can be reached either by steep stairs or wooden ladders. In the south of Tunisia, the 'ghorfa' has a rectangular shape crowned with a curved roof. One way of shaping the roof was to fill the empty cell space with sand and then build the elongated roof dome. In the Aures, the 'taq’liath' is mostly built with stones and the roof is reinforced with palm-tree trunks. Here, the cells are more or less square in shape but sometimes have an interesting form of opening to air and lightening the inside. The story of all these fortified granaries has much to reveal about the ‘Imazighen’ (pl. form of ‘Amazigh’). Too often, modernity and also politics, have neglected to preserve this amazing Berber legacy. Some have completely disappeared while others have been abandoned. However, some are trying hard to keep the heritage. Recently, an online Algerian FaceBook site called TamazƔa made an appeal to save the fortified granary of Kheirane in the Aures nicknamed ‘El Kalaâ’. The comment says that ‘the Amazigh ancestors used to build the granaries at the foot of the mountains and the hills on the southern side of the Aures mountains to protect them from enemy attacks as well as a way to keep a look-out on their orchards’. Obviously, not enough has been done for the preservation of the fortified granaries. It is not simply another way to preserve an endangered heritage. We still have much to learn about these constructions. For instance, for the two areas best known by the author of the article ('ghorfa' and 'taq’liath', it is still possible to collect useful information locally. In the Aures Mountains, the granaries keep interesting architectural symbols that are in keeping sometimes with the signs found in traditional pottery. The wall openings reveal triangular friezes and sometimes around assemblage figuring the Sun. These societies are essentially agricultural, these designs are linked to an old attachment to the Earth. There is a need also to work collectively in order to gather more substantial data according to the transversal line of the Saharian side of the Atlas from the Jebel Nefousa in Libya to the Sous region of Morocco.

Christian Sorand


Monday, January 24, 2022

Chester Beatty Library, Dublin.

         Dublin Castle is a landmark of the old section of Dublin. And yet, it hosts a cultural gem, sometimes considered as one of Europe’s best art centers.

The Chester Beatty is both a library and an art gallery exhibiting outstanding thematic treasures. The one featured in this post was displaying some of the old books, where many were from Japan to Persia.


The Chester Beatty Library


The modern design of the gallery blends perfectly with the outside enclosed garden on the ground of the medieval castle.


The gallery garden terrace


Dublin Castle indoor garden

The gallery public premises

A medieval Scripture manuscript

Persian poetry: 'Reading'

Calligraphy book: The Ottoman City

Burmese folding book

'Actor' by Sharaku

"Ferry Boat' by Hiroshige.

Ceramic painting in the form of a Mandala



Sunday, January 23, 2022

A Visit to The Archaeology Museum of Dublin (National Museum of Ireland)

 After touring part of Ireland and visiting so many archaeological sites, it became a must to go to the National Museum of Ireland and see its archaeology section.

I searched and wrote about the rotundity aspect that seems to prevail in the country from time immemorial. And to my surprise, I realized the Archaeological Museum is another circular building! A coincidence most probably!…


National Museum of Ireland / Archaeology



1. The NEOLITHIC PERIOD (3400-2800 BC)





Dugout canoe
 
2,500 BC

 







2. The MIDDLE BRONZE AGE (1500-1200 BC)


The Altartate Cauldron



Round dwelling


3. The PRE-CELTIC & CELTIC PERIODS.

Aerial view of Tara
  
Map of Tara


Megalith Art


Spiral
  
Circles & Crosses

The Mullamast Stone

This is a selection of some of the displays that cannot be a substitute to a visit of the museum.

Saturday, January 22, 2022

Return to Trinity College

At Trinity College, Dublin


Being back in Dublin brought back many memories from my time there as a student. And of course, I had to revisit Trinity College, where I attended a full course on Anglo-Irish Literature, done by a professor, who was Samuel Beckett’s old friend.


Needless to say, the main infrastructures have been modernized. But the old buildings have kept their venerable style dating back to the English Renaissance.


The library is open to visitors. It is one of the World’s most beautiful libraries. It contains several illuminated manuscripts, among which the best known is the ‘Book of Kells’. It is a Latin version of the four Gospels of the New Testament, dating back to the 9th century.


About the Book of Kells

The Book of Dimma
 
The Book of Armagh




Original copy of the Book of Kells inside the Library

Ogham stone
  
About Ogham Stones

Inside the Library
  
Library staircase



The Library Hall

Access to bookshelves
  
Another view of the Library

The Irish iconic harp
  
About Brian Boru Harp

As I recently wrote about the circular architecture of pre-Celtic and Celtic monuments, I was quite surprised to discover the rather new design of the College yard (‘Fellows Square’)  near the Visitor’s entrance. The sculpture is by Calder (‘Cactus Provisoire’) but the garden design has definitively an esoteric meaning.


Trinity College Fellos Square with Calder's sculpture

"Cactus Provisoire'


The round of circles on the lawn

                                                                         Christian Sorand